On 8 Jul, 19:44, wkasimer <wkasi... RemoveThis @comcast.net> wrote:
> *
I specifically mentioned Ortica because his Met perf.were
absolutely horrendous..At the end of the Celeste Aida..we heard one
clap(his mommy??)
He RUINED the Tebaldi Chenier..cracking on the top notes in the
usually glorious last duet..I never booed.....but came close..by all
of us yelling "Bravo Gigli..Bravo Pertile...etc.)
The big difference between the tenors (or other voice categories)
from my era and today's eras is that we had GREATNESS and
HORROR....Totall yextreme:
We did have Tucker,Corelli,DelMonaco,Bergonzi,Gedda,valletti..etc.
BUT we had
Nuotio,Nikoloff,Parly,Zambruno,Piso,Feiersinger,Gari,Baum,
and other teniors who made our lives miserable..since they
appeared in operas with GOOD PEOPLE...so we suffered very often.
Today..it is much better in general..despite the lack of a Tucker or
a
Corellli..but it is wonderful not to have to suffer the way we
did....CH
Sorry Billie cannot appreciate opera as most of us do...ch
>> Stay informed about: Mario Ortica and other such tenors (ORRORE)