ELISIR: Bergonzi & Di Stefano

Two recordings both from the Florence May Festival; both directed by
conductors (Gavazzeni and Molinari-Pradelli) who are brisk yet
considerate of their singers; both featuring excellent casts.

In comparative discussions it is easy to exaggerate the differences
between performances, but here I am struck by the similarities.

Carlo Bergonzi had all the qualities that make for a fabulous singer to
which he added a rare intelligence including a scrupulous regard for
precise rhythm.

His Nemorino is treasurable. And that he could sing such a role at a
time where he was tackling heavier dramatic roles is a tribute to his
technique.

When we regard Di Stefano, we have a phenomenon of pure vocal luxury
and a rare, unforced natural tenor voice. Top notes float without any
obvious heave behind them. The legato is limpid and the effect is
spontaneous.

I was a bit surprised in listening to the Gavazzeni recording that he
takes a slower pace and less incisive playing after the overture than
Molinari-Pradelli. The slower tempo also betrays a slight beat in
Giuseppe Taddei's Belcore. Renato Capecchi is totally at home as
Belcore, and more soldierly, to boot. Renata Scotto is a fine Adina
but Hilde Gueden exhibits an elusive charm that fully rationalizes
Nemotino's obsession.

As between Carlo Cava and Fernando Corena, I unhesitatingly prefer the
latter.

Both recordings are marvelous. But I would give the edge to Di Stefano
& Company.

==G/P Dave